Mina M. Jovanović
The author tends to examine if an originality of a work expressed in а certain form is sufficient condition for granting the copyright protection. The first part of the paper deals with a definition of originality, having a special focus on the „author’s own intellectual creation“ – standard which has significantly harmonized EU copyright law throughout the last decade. In the second part of the paper the author explores if it is justified to protect every original work as a work of authorship, having in mind the low standard of protection. The author confronts the scope of the right with the number of eligible subjects of protection in the everyday life and lists some examples on lack of copyright protection for works which are certainly original. The author concludes that there could be a need to introduce additional criteria for qualifying a work as a work of authorship.
- Jovanović Mina, „The originality requirement in EU and U.S., different approaches and implementation in practice“, ЕCTA Award 2020 competition, 2020, доступно на адреси: https://ecta.org/ECTA/documents/MinaJovanovic3rdStudentAward202012149.pdf, 15. 5. 2021.
- Марковић Слободан М., Поповић Душан В., Право интелектуалне својине, Правни факултет Универзитета у Београду, Београд, 2013. (Marković Slobodan M., Popović Dušan V., Pravo intelektualne svojine, Pravni fakultet Univerziteta u Beogradu, Beograd, 2013)
- Марковић Слободан, Интелектуална својина и информационо друштво, Правни факултет Универзитета у Београду, Београд, 2014. (Marković Slobodan, Intelektualna svojina i informaciono društvo, Pravni fakultet Univerziteta u Beogradu, Beograd, 2014)
- Попеску Драгица, „Фотографија као ауторско дело“, Право и привреда, бр. 7–9/2016. (Popesku Dragica, „Fotografija kao autorsko delo“, Pravo i privreda, br. 7–9/2016)
- Поповић Душан, „Телевизијски формати као (не)заштићена интелектуална добра“, Анали Правног факултета у Београду, бр. 1/2014. (Popović Dušan, „Televizijski formati kao (ne)zaštićena intelektualna dobra“, Anali Pravnog fakulteta u Beogradu, br. 1/2014)
- Rosati Eleonora, Copyright and the Court of Justice of the European Union, Oxford University Press, Oxford, 2019.
- Yanisky Ravid Shlomit, Velez Hernandez Luis Antonio, „Copyrightability of Artworks Produced by Creative Robots, Driven by Artificial Intelligence Systems and the Concept of Originality: The Formality – Objective Model“, Minnesota Journal of Law, Science & Technology, Nr. 1/2018.
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